Hungarian Painter, 1861-1927 After his studies at the highschool in Kaposvar he went to study to Budapest, where he got a degree in pharmacy. In 1884 he travels to Munich to study painting at the Academy. 2 years later he gets a grant and that makes him able to move to Paris and study by Munkacsy. In 1888 he meets with the members of Les Nabis and under their influence he paints his first important work The Inn at Pont-Aven, a very deep paining with dark atmosphere. His first big success was the paining My Grandmother (1894). Later he travels back to Hungary, first the critics does not accept him very warmly, but finally he celebrates a success with the exhibition Rippl-Ronai Impressions 1890-1900. He believes that for an artist there is important not only his work, but also how he lives and what he wears. That is why he becomes also a designer (Andrassy dining room and the window-pane in the Ernst Museum). His exhibitions in Frankfurt, Munich and Vienna have got a great success in 1911-1913. He paints his last big work in 1919 (portrait of his friend Zorka) and in 1927 dies in his villa Roma in Kaposvar.  Related Paintings of Jozsef Rippl-Ronai :. | My Father and Lajos with Violin | woman with a birdcage | Woman in red | Cock and Hens | Park with Nudes |
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Frank Bramley
English Painter, 1857-1915 was a British post-impressionist painter of the Newlyn School. Bramley studied at the Lincoln School of Art from 1873 to 1878, later at the Royal Academy of Fine Arts Antwerp from 1879 to 1882. After staying in Venice from 1882 to 1884, he moved to the Newlyn School artist colony in Cornwall. Bramley worked on combining natural and artificial light in his paintings. His A Hopeless Dawn (1888) was bought by the Tate gallery. He married artist Katherine Graham in 1891.
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Maurer, Alfred Henry
American Painter, 1868-1932 American painter. He studied at the National Academy of Design, New York, in 1884 and briefly at the Acad?mie Julian, Paris, during 1897. He received critical success with academic paintings of single female figures in interiors and genre scenes of caf? society, which reflected the influence of the work of James Abbott McNeill Whistler and William Merritt Chase, for example At the Caf? (c. 1905; St Petersburg, Hermitage). His long residence in Paris from 1897, his participation in various independent salons and his association with Leo and Gertrude Stein led to his interest in avant-garde art. He may have been one of a group of Americans who studied briefly with Henri Matisse. By 1907 he was producing vigorously painted Fauvist landscapes, such as Landscape with Red Tree